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                <text>&lt;p class="p1"&gt;A drawing presumably of the 1930s Hollywood actress Patricia "Boots" Mallory, by Jesse B. Williams, a student at LaVilla Park School.&lt;/p&gt;&#13;
Mallory was apparently a lesser-known celebrity and does not appear to figure in many studies and repertories of 1930s film stars. She is, however, registered in the Internet Movie Database (see &lt;a href="https://www.imdb.com/name/nm0540096/" target="_blank" rel="noopener"&gt;"Boots Mallory (1913–1958)"&lt;/a&gt;).</text>
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                <text>Made public online with the permission of the Jacksonville Historical Society</text>
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                <text>A short poem about spring by Lillie Felder, a student at LaVilla Park School</text>
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                <text> The Viola Muse Digital Edition, University of North Florida</text>
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        <name>Lillie Fielder</name>
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        <name>Poetry</name>
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            <elementText elementTextId="1978">
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                <text>&lt;p class="p1"&gt;Version of the Lindsay Moore narrative published in &lt;a href="https://unfdhi.org/violamuse-editions/content/works-cited.xml#wpa-sn-vol3" target="_blank" rel="noopener"&gt;Works Progress Administration Federal Writers’ Project, &lt;em&gt;Slave Narratives: A Folk History of Slavery in the United States from Interviews with Former Slaves&lt;/em&gt;, vol. 3, Library of Congress, 1941,&lt;/a&gt; pp. 229-233. &lt;br /&gt;&lt;br /&gt;This document is attributed to fieldworker Martin Richardson, who appears to have worked from the &lt;span&gt;&lt;a href="https://violamuse.unfdhi.org/admin/items/show/120" target="_blank" rel="noopener"&gt;Lindsay Moore Interview Notes&lt;/a&gt; produced by Muse. The discrepancies between the two documents include the spelling of Moore's first name (&lt;em&gt;Lindsay&lt;/em&gt; in the interview notes, &lt;em&gt;Lindsey&lt;/em&gt; in this document) and the specification of Moore's birthplace (Forsyth, Monroe County, Georgia, in the interview notes; Forsythe County, Georiga, here).&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/p&gt;</text>
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                <text>&lt;a href="https://www.loc.gov/item/mesn030" target="_blank" rel="noopener"&gt;Works Progress Administration Federal Writers’ Project, &lt;em&gt;Slave Narratives: A Folk History of Slavery in the United States from Interviews with Former Slaves&lt;/em&gt;&lt;/a&gt;&lt;a href="https://www.loc.gov/item/mesn030" target="_blank" rel="noopener"&gt;, vol. 3, Library of Congress, 1941&lt;/a&gt;, pp. 229-233.</text>
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&lt;p&gt;An author by the surname Richardson created this document, and Viola Muse added a few handwritten notes. Richardson is possibly the Federal Writers' Project fieldworker Martin Richardson (see, for instance, &lt;a href="https://unfdhi.org/violamuse-editions/content/works-cited.xml#wpa-sn-vol3" target="_blank" rel="noopener"&gt;Works Progress Administration Federal Writers’ Project, &lt;em&gt;Slave Narratives&lt;/em&gt;, vol. 3,&lt;/a&gt; p. 229). Another individual by that surname mentioned in this collection is Benjamin A. Richardson, the subject of three documents in the collection: &lt;a href="https://violamuse.unfdhi.org/items/show/19" target="_blank" rel="noopener"&gt;Benjamin A. Richardson (1 of 3)&lt;/a&gt;, &lt;span&gt;&lt;a href="https://violamuse.unfdhi.org/items/show/21" target="_blank" rel="noopener"&gt;Benjamin A. Richardson (2 of 3)&lt;/a&gt;, and &lt;a href="https://violamuse.unfdhi.org/items/show/28" target="_blank" rel="noopener"&gt;Benjamin A. Richardson (3 of 3)&lt;/a&gt;. Benjamin A. Richardson's education background suggests he could have been the author. However, the header on the document—which resembles the headers Muse herself included on many documents—may point to Martin Richardson as the more likely author.&lt;/span&gt;&lt;/p&gt;&#13;
&lt;p&gt;Material from this document perhaps informed the section "Contemporary Life" found on pp. 18-21 of the manuscript copy of &lt;em&gt;The Florida &lt;/em&gt;&lt;em&gt;Negro&lt;/em&gt; housed in the State Archives of Florida (S1585). See &lt;a href="https://violamuse.unfdhi.org/items/show/107" target="_blank" rel="noopener"&gt;"Contemporary Life" in &lt;em&gt;The Florida Negro&lt;/em&gt;&lt;/a&gt; (pp. 20-21).&lt;/p&gt;</text>
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